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Review: Superman and Lois Pilot – “a darker tone w/ rich characters”
DC has had a hard time with the Man of Steel on the big screen, specifically when it comes to…
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Sundance 2021 Review – ‘Fils De Plouc’, aka Mother Schmuckers
It’s been said that ‘it takes smart actors to play dumb characters’. If so, Maxi Delmelle and Harpo Guit must…
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We talk to the cast of Son of the South
Lucas Till talks to us about portraying a real person, that’s still alive. Plus the weight of delivering history correctly.…
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Interview: Alan Tudyk can’t prove he’s not a Resident Alien
We chatted with Alan Tudyk about his new show Resident Alien on Syfy. Asking him not only about rolling the…
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Sundance 2021 Review: Knocking – “It never quite delivers”
Knocking, the directorial debut of Frida Kempff, tells the story of Molly (Cecilia Milocco) as she tries to discover the…
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Sundance 2021 Review: Pleasure – “Intellectually stimulating”
Pleasure (2021) is a drama, written by Ninja Thyberg and Peter Modestij, and directed by Ninja Thyberg. It is Thyberg’s…
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Sundance 2021 Review: Violation – “Best performance, Worst film”
Violation (2020) is a revenge picture. It was co-written and co-directed by Dusty Mancinelli, and Madeline Sims-Fewer. Miriam (Madeline Sims-Fewer),…
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Sundance 2021 Review: Cryptozoo – “A fairly weird film”
Cryptozoo (2021) is an animated feature film. It was written and directed by Dash Shaw. Cryptozoo is a movie that…
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Sundance 2021 Review: Jockey – “Part of it becomes a part of you”
Jockey is intimate and personal. Its visual structure is lyrical and golden. I couldn’t tell you really what amount of…
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Sundance 2021 Review: Judas and The Black Messiah – “A Powerful Political Drama.”
“I am a revolutionary.” These were Fred Hampton’s words that became a rallying call in 1969. As the Back Panther…
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